Showing posts with label Damien Wayne. Show all posts
Showing posts with label Damien Wayne. Show all posts

Thursday, June 6, 2013

The New Earth 2 Batman Is In The House!


And he knows how to make a grand entrance!

The new Earth 2 Batman made his appearance in the recent Earth 2 annual and if there are any comic detectives out there they have figured out who he is.

But not me.

Not to sell myself short but all I can think of is the Thomas Wayne Batman from the incredible "Flashpoint" series. 


There are similarities, particularly the glowing red eyes and propensity for meting out justice with "extreme prejudice".  (That's an Apocalypse Now reference people.)  The Bat logo is different on the chest but both utility belts are tinged in red.

The Flashpoint Batman lost his son in Crime Alley and took up the mantle of the Bat so who is to say that the Earth 2 Thomas Wayne, upon learning of his son's demise, didn't do the same thing?  I know what you're thinking, "Too easy".  You may be right.  It does seem a little too easy but it would be a wonderful way to revisit the character and take a new spin on his vicious application for crime fighting.  It would be difficult to top the twist of the Joker reveal in that series but I am game if they are.

Any other candidates?  (Apparently, we still don't know who E2 Batman is after the publication of Earth 2 #13 although he does make a cameo.)


I had a theory that it would be Jason Todd after the tease came out in the form of the cover of "Red Hood and the Outlaws" #17.  I figured Jason Todd would die in one universe and be "resurrected" in Earth 2.  There was poetry in that.

But Jason Todd didn't die in "Earth 1".

That doesn't mean he can't be the Earth 2 Batman it only means that the poetic symmetry is lost.  I can live with that.


The new Earth 2 Batman seems to be incredibly fit and obviously fearless.  He even has the ability to travel the world at will, has the best tech and knows all about the new Earth 2 heroes.

That's not something you pick up overnight.  You need some serious cash to pull that off.  So is it Thomas Wayne?  He should've been able to access his son's fortune.  (Did his son have a fortune?)  If the original E2 Batman was a billionaire wouldn't it be easy for his heir to inherit that fortune.  Does Earth 2 have a Dick Grayson?  How about this, Damien Wayne dies in the original universe and his doppelganger takes up the reins in the E2 universe.

Now that makes sense.  Damien was no stranger to violence and was trained in a world of assassins.  He was even a killer.  We witnessed that when he took out the character of "Nobody".



So, the poetic justice I wished upon Jason Todd may come true in the form of Damien Wayne.  At one time Damien Wayne was seen as the future Batman as depicted in this image taken from Batman #666.


 This future version of Batman was a ruthless killer and he even used Gotham City as weapon rigging all the buildings with explosives.  We don't know the E2 Batman very well but it doesn't seem as though he is willing to let Gotham burn, let alone the world, to see an end to his means.  Still, if we were to transfer these attributes to the Earth 2 Batman then we may have deduced his identity as Damien Wayne.  

Something is holding me back on this.  The maturity of this E2 Batman for one.  The Damien Wayne we knew was a child of ten years this new Batman is obviously way beyond that.  Anything is possible in the comics yes but something just doesn't feel right.  I can't put my finger on it but I'm going to lean towards Thomas Wayne or Jason Todd as the new E2 Batman.

Or it's their Azrael.

No, wait, it's Alfred.


Monday, April 1, 2013

Batman & Robin 18: The 5 Stages of Grief


As promised in my last blog post I've decided to take a look at the bereavement period for Batman following the stunning events of Batman Incorporated #8 where the Damien Wayne Robin dies.  I feel this is a singular event in the annals of Batman comics because it provides us with an in depth look at one of DC comics most iconic heroes and how he handles a death so close to his heart.

Not just any death, like the death of an adopted Robin such as Jason Todd, but the death of Batman's biological son.  A young boy of ten whose issues and shortcomings were well known to all the readers and provided Batman with much angst. A Robin whose foibles made him all that much more human to us all and gave Batman a true son.

Peter Tomasi, who has authored the series of Batman and Robin comics, has stated that he will follow Batman in the Five Stages of Grief, as originally delineated by Elizabeth Kubler Ross and David Kessler, by examining each stage in the pages of the Batman and Robin issues starting with Batman  and Robin #19.  You can read that very informative article here.

I thought I might take a closer look this bereavement period and the 5 stages of grief and see how much they apply to a single issue, Batman and Robin #18.  Tomasi, with artist Pat Gleason has authored an extraordinary work of art and it is a must read for all fans of Batman. 

First of all let's tkae a look at the Five Stages of Grief.

  • Denial
  • Anger
  • Bargaining 
  • Depression
  • Acceptance

Denial:  "Denial is usually only a temporary defense for the individual. This feeling is generally replaced with heightened awareness of possessions and individuals that will be left behind after death. Denial can be conscious or unconscious refusal to accept facts, information, or the reality of the situation. Denial is a defense mechanism and some people can become locked in this stage."




In this wordless issue Batman first exhibits the signs of denial by the covering and disposal of the family portrait.  With grim visage Batman takes a last look at Damien before he drapes the face of Damien and carries off the portrait for storage.  Batman can't bear to look at Damien and the setting of Batman with his other Robins is too much to deal with.  Covering Damien's face is both a symbolic and literal act.  The drape acts as a death shroud adding a finality to Damiens passing but the storage of the painting dismisses this finality by keeping this act temporary.  For Batman it's better to remove the obvious reminders of Damien so he doesn't have to deal with pain of his passing.

Anger"Once in the second stage, the individual recognizes that denial cannot continue. Because of anger, the person is very difficult to care for due to misplaced feelings of rage and envy. Anger can manifest itself in different ways. People can be angry with themselves, or with others, and especially those who are close to them. It is important to remain detached and nonjudgmental when dealing with a person experiencing anger from grief."


No doubt it would be difficult to remain "detached and nonjudgmental" in a world populated by Batman.  The Caped Crusader goes into an utter rage over the loss of Robin and at the end of the issue he lashes out at the loss of Damien by smashing the his locker and tossing the lifeless garments across the floor.



 Batman exhibits the classic signs of anger when he vents his pain at the empty accoutrements.  How Could Robin leave him?  Why isn't he here and by his side?

Bargaining :  The third stage involves the hope that the individual can somehow postpone or delay death. Usually, the negotiation for an extended life is made with a higher power in exchange for a reformed lifestyle. Psychologically, the individual is saying, "I understand I will die, but if I could just do something to buy more time..." People facing less serious trauma can bargain or seek to negotiate a compromise. For example "Can we still be friends?.." when facing a break-up. Bargaining rarely provides a sustainable solution, especially if it's a matter of life or death. Not much noted, but common, bargaining can also include guilt, including survivors guilt.



How does someone bargain with the death of a loved one after they have passed?  By rewinding the memories of that loved one over and over.  That way, the person that still lives, in this case Batman, can handle their survivors guilt by imagining that their loved one is still with them. 


The series of panels that depict Batman descending to the Batcave  is most poignant in this regard.  Riding the Batpoles is something Batman has done a thousand times and with Damien hundred and hundreds of times.  It may have been something that he took for granted in the past but now it is a cherished memory.  The sheer repetition of events keeps Damien alive to Bruce, only the thud of the end of the descent brings Batman back to the reality of Damien's absence.  Better to live the bargain of better memories than deal with the void left by death.

Depression: During the fourth stage, the dying person begins to understand the certainty of death. Because of this, the individual may become silent, refuse visitors and spend much of the time crying and grieving. This process allows the dying person to disconnect from things of love and affection. It is not recommended to attempt to cheer up an individual who is in this stage. It is an important time for grieving that must be processed. Depression could be referred to as the dress rehearsal for the 'aftermath'. It is a kind of acceptance with emotional attachment. It's natural to feel sadness, regret, fear, and uncertainty when going through this stage. Feeling those emotions shows that the person has begun to accept the situation.


Does Batman get depressed?  Heck, isn't he always depressed? Batman carries the weight of his parent's loss heavily on his shoulders.  Instead of being consumed by it, he uses that sorrow as a point of strength.  Instead of turning inward he lashes outward, especially against those who would do harm against the innocent.

Things could be different this time.  This is one of the aspects of grief I hope Tomasi and Gleason really get to explore.  In the above illustration, Batman returns to the Cave to wash away the stains of a grim night.  In a way this could be seen as a form of denial.  Letting the pain roll off you without having to deal with it.  I see this image differently however.  Batman's head is bowed, his shoulder slumped in sad resignation.  The picture is mostly in black and white as if to accent the starkness of Batman's plight.  Only the red of blood marks Batman.  The pain and loss that infuses that blood is a lot more difficult to wash away.

Acceptance:   "In this last stage, individuals begin to come to terms with their mortality, or that of a loved one, or other tragic event. This stage varies according to the person's situation. People dying can enter this stage a long time before the people they leave behind, who must pass through their own individual stages of dealing with the grief."



Peter Tomasi and Pat Gleason end their wordless masterwork with an image of Batman clutching the empty garments of the now dead Robin.  Bruce had strewn the accoutrements of Damien in a fit of rage but he now mournfully embraces them.  See how his anguished face presses up against the shoulder of the uniform as if Damien was still within.  His left hand holds out the mask of Robin as if waiting for him to fill it again.  By purposely showing us this, Gleason demonstrates the nature of Robins life. The duality of being a ten year old and the guise of being a crime fighter and the heavy responsibility it carries.  Displaying the mask adds emotional heft to an already grief stricken tableau.

We also see Damien's Batarangs buried into the surface of the floor.  Even after death they find their mark with purpose.  To the left lie the empty gauntlets that can no longer throw a punch with anger.  To the right stand the empty boots that will no longer trod the face of this earth with Damien in them.  Very large shoes to fill indeed.

Damien's Robin badge sits detached near Batman's legs as if has been stripped of ownership now that Robin has passed.  It now waits for someone else to fill that role.  Someone deserving.

The most poignant thing about this image is how Bruce has dropped to his knees to embrace the now empty uniform.  How else would you lovingly hold your child? 

I eagerly await Batman and "Robin" number 19.  Tomasi has said he plans to explore the five stages of grief in each successive issue.  What I attempted to do here was divine his approach to that series and suss out the clues in a single issue.  I think Tomasi and Gleason have just scratched the surface of the depth of their storytelling.  There is fertile ground ahead.  Hallowed ground where one one soldier gave his last measure of devotion.






(Each "Stage of Grief" comes courtesy of Wikipedia.)

Sunday, March 3, 2013

The Death of Robin


As many of you Bat fans know there was a seismic event in the pages of the Batman comics this past week.  That event was the death of the Damien Wayne Robin.  I had planned to write a few blog posts before this but with the reverberations of this tumultuous event still being felt everywhere across the Dark Knight universe so I thought I must comment on this event right away.

Many of the readers of Batman comics are also aware of the resolution of the "Death of the Family" story arc.  Perhaps "resolution" isn't the right word as The Joker remains at large and although Batman defeated the nefarious plans of the Joker the wounds suffered by the Batman family still are very raw and remain unreconciled.  These events stand far more important now.

The character of Damien Wayne had many detractors.  Some just couldn't bear to watch his puerile behavior and others thought him a drag on the main character of Batman.  After a fashion it became a sport to moan and groan about Damien and laugh off his contributions to the Batman universe.

I'd like to think that Damien revealed a different side to the Batman character.  Batman is infamous for relying on no one but him self.  Batman has a very dark side that is integral to his make up and how he is portrayed as a character.  Adding a real life biological son instead of a ward or partner, such as the Dick Grayson Robin, plumbed the depths of Batman's lone wolf psyche.

That psyche,already damaged from the death of Batman's parents, will be torn further asunder now that Damien has passed.


So let's take a closer look at the final moments of Damien's life.  If we take a look at the panel above taken from Batman Incorporated #8 we see Damien being run through with a sword by his "brother" The Heretic.  You'll note there was no detail given to Damien's face as he drew his final breath.  I'm not sure if the artist responsible for this panel was Chris Burnham or Jason Masters although I believe it was Masters.  But I think the lack of detail was to spare the readers the anguish of seeing a ten year old murdered.  Damien was many things, many them difficult, but he was still just a boy and seeing one die is never an easy thing.

Maybe Masters wanted to present a "masque of death" to us to accentuate the finality of this barbaric act.  Two eyes as golden embers before the light was extinguished from them.  The black visage as something cold and distant without the personality you either loved or hated.  I know as a reader I found Damien's final moments very difficult to bear witness to.



If the final moment of Damiens life was difficult enough to watch, the single page collection of panels that preceded it was even more painful.  Here we find Damien as everything we knew about him.  His feisty combativeness.  His arrogance and his stubborn courage and, yes, his tender age as he pleaded with his mother for all of this to end.

Seeing Damien throw a kick and yell, "Ha!" was of typical of him.   Spitting in the face of certain defeat was also commonplace.  Watching him yell, "Ow" as he was pierced by arrows was challenging to say the least and when he yelped, "NNAOW!" as bullets rained down upon him it was sobering and shocking.

Still, Damien called out his foes as "cowards" with his last gasp, staying true to the warrior we knew him as.  Hearing him command his mother in a whisper for the assault to stop was barely manageable by this reader.  It was sad and poignant.  For all the problems Damien had with his father, he eventually grew closer to him rather than his mother and the League of Assassins that were his forebears.

So what does this mean for Batman?


As the lifeless body of Damien Wayne lays cradled in his father's arms (see the illustration at the top) just below that heartbreaking tableau are a series of boxes that depict the anguished face of Batman as they descend into darkness from right to left.  I don't think this "descent" is just a clever device.  Not only does it represent the last thing Damien sees, it is revelatory of things to come.  Can Batman get any darker?  Will rage force Batman to cross that thin line of morality he set up for him self after his parents died?  Or will Batman fall to a place we haven't seen before and be consumed by the despondency of losing his own child.  Is Batman's spirit strong enough to overcome this tragedy?  If he retreats into sorrow will the already damaged members of his family from the "Death of a Family" storyline be able to tow the line or will they be consumed as well?



 Many readers of the Batman comics may be happy to see Damien go.  That is, if he is truly dead, in the comics anything is possible.  But I will mourn his passing as a character.  He certainly knew how to stir up trouble with his fellow and former Robins, constantly testing their patience and skills.  He also tested Batman and added a facet to his personality we don't often get to see.  I'll let the last page of panels taken from Batman #17 speak for themselves.


 My next blog post may seem a little out of order considering the events of Batman Inc. #8 but I believe the events that took place in Batman #17 are nearly as important and perhaps more so.  So, next up, Batman and post traumatic stress disorder.  See you then.




Monday, December 3, 2012

Soviet Style Robins? The Iconic Batman Art of the New 52 #9


In this entry of the Iconic Batman we'll examine an image taken from Batman and Robin #12.  It depicts the various Robins as they stand in awe of the heroic actions of their mentor, Batman.  The Caped Crusader has just rocketed off to intercept a missle launched by the evil doer, Terminus.

What I find fascinating is the posture held by all the Robins.  They are all in profile as they gaze off into the sky.  (In the foreground is the current Robin, Damien Wayne; followed by the Tim Drake "Red Robin"; Jason Todd as "Red Hood" and finally by Dick Grayson, the original Robin, as "Nightwing".)  Their profiles betray the inspiration they are getting from Batman's heroic act and they are joined as one as former and current students of the maestro. 

So, how do they all fit in as "Soviet style"?


The use of the profile is a long held device of the Communist propaganda machines.  The subjects eyes aren't fixed on the viewer but off into the unseen distance as if they are looking far into the future of brighter and better world.  The subjects are always standing together because they are of single purpose and share a common belief.



The profile posture is also used to convey inclusiveness.  In the above North Vietnamese wartime poster a smiling "Uncle Ho" looks beneficently down his female charges.  All are equal in the war effort and all have a role to play for the greater good of the party and society.  In the "Robin" panel above all are equal in the eyes of Batman as they share a common bond to defeat evil.  The "Robins" aren't always on the same page and often there are jealousies involved.  But not when they are bonded by a single cause as inspired by Batman.


There is often a certain dynamic of motion displayed in these propaganda posters.  In the above World War 2 Soviet era poster the soldiers in the foreground move to the front with grim yet determined purpose.  Their weapons are at the ready as the tanks spew fire.  Hovering above them are the ghosts of their forebears, generations of which march alongside them  The message here is that the Soviet soldier of the day fights for the cause just as their ancestors did.

While there is practically no motion in the Robin panel, aside from the urgency of the fist wrapped in the cape of Damien Wayne in the foreground, we still get a sense of generations fighting for the same cause.  Dick Grayson as Nightwing stands tallest amongst the Robins and they follow in size and experience in descending order before him.



Batman is an inspirational figure and the Robins stand at rapt attention.  I would find it hard to believe that Batman or his alter ego, Bruce Wayne, would embrace any aspect of the Communist ideal or the Soviet system.  But he knows heroism when he sees it and it is reflected in the eyes of the young men he often leads into battle.  As for Dick, Jason, Tim and Damien they not only gaze upon the man that is their inspiration but the father figure that has lifted them up to behold a brighter future.