Showing posts with label Peter J. Tomasi. Show all posts
Showing posts with label Peter J. Tomasi. Show all posts

Wednesday, January 15, 2014

Batman Turns 75


What better way to celebrate the 75 anniversary of the Batman character than to throw him a birthday party.  That's exactly what a compilation of artists and writers have done in the super sized issue of Detective Comics #27.  My favorite entry comes from Peter J. Tomasi and illustrated by Ian Bertram.

It depicts an actual 75th birthday party as thrown by those closest to the Dark Avenger.  It is a sweet and sentimental entry and is one of the strongest chapters in this must have compilation.  I heartily recommend buying this issue.

As strong as this story is, it is the artwork that breathes extraordinary life into it.  Bertram has a unique style but I dare say he has a little of the Frank Quitely and Gahan Wilson in him.

My favorite image is the one that leads off this post.  It shows the 75 year old Batman at his "naughtiest" as he swings from the rooftops with a look of pure joy on his face.  It seems Batman is to have left the crime fighting of Gotham City to his younger compatriots which include Tim, Dick, Barbara, and even Damien.

But that hasn't stopped the septuagenarian from stretching his aching muscles and pushing the boundaries of his 75 year old soul.  As he says, "I love it so."


There is a couple of other illustrated frames of note that include the one seen immediately above.  Wayne has descended to the Batcave to find his family waiting for him.  He sensed they were there and he has a slight look of amusement on his face.  It uncommon to see this joy in Batman especially after he was roused from a late nap while watching, "The Mark of Zorro" the movie that was playing when his parents were shot.  Bruce is happy to see everyone and he usually isn't patient with frivolities, least of all parties thrown on his behalf.

Bertram has Wayne dressed in a easy pullover sweater, comfy pants a cane and a pair of slippers. Hardly the gear of this classic crime fighter but certainly befitting anyone who reached the fine old age of 75.  Despite his amusement Bruce's left hand is coiled into a powerful fist.  Just in case!


One last frame of note shows Batman at his orneriest.  Alfred has drifted off into slumber and Bruce sees this as an opportunity to become one with the night.  Defiantly, he breaks his cane as he prepares to step out.  Both elbows and knees are wrapped reflecting the toll of innumerable battles.  Scar tissue is etched across every inch of the Caped Crusader detailing a road map of sorts and providing a long history of struggle against injustice.

Despite his advanced years Batman remains eager for a fight.  Naturally he finds one and as always he remains triumphant.  He manages to return to the Batcave before anyone is the wiser.

Even at 75, the Dark Knight will not be denied.


Friday, December 27, 2013

Red, White and Blue Batman


We don't normally see Batman associated with the American flag so that is why I was struck by this image in the recent issue of "Batman and Two-Face" number 25.  Written by Peter J. Tomasi and penciled by Patrick Gleason, issue number 25 explores a partnership of sorts while the brain trust behind the Batman comics tries to figure out if they should appoint a successor to Robin or not.

I'm not really going to get into the plot of the story, this is more of an insight into the artwork involved and the association with Batman and all things patriotic.




First, if there is one superhero associated with all things Americana and the flag it is Superman.  Which is a bit of irony that shouldn't be lost on too many comic readers and or movie goers.  Superman is an alien from another planet yet he has been historically associated with all things red, white and blue. He grew up in an all American small town and there no more "apple pie" than Big Blue and it's a wonder he doesn't sell Chevrolets!  But let's face it, he's not of this world!




The movies have gone to great pains to couple Superman with the flag also.  None more so that the Christopher Reeves series.


So why is it we never see Batman "Waving the flag"?  Is it because of his darker themes?  Is it the creature of the night persona or his propensity for striking fear as opposed to Superman's symbol of hope?  Batman is an Earthling.  Bruce Wayne was born and bred right here in the good ol' USA.  Perhaps it is because Wayne is a billionaire and he is naturally difficult to identify with. 

Even Christopher Nolan in the last Batman film went to great pains to portray Wayne as the recluse billionaire and had his alter ego seemingly fight to protect Wall Street and all it entailed.


This is what makes the artwork of Patrick Gleason (with colors by John Kalisz and inks by Mick Gray) so out of the norm.  The above panel is a terrific shot of Batman coursing through the night sky, framed by the American flag and ready to mete out justice.  It's almost as if Gleason and his team can't accept Batman as a patriotic figure as the colors have been muted and the scene takes place at night filled with eerie bats.  Not nearly as inspiring as a day awash in the glorious sunshine filled with the rich hues of the red, white and blue.

Yet the above frame is inspiring.  Batman follows the lead of the flag as it extends from left to right,  (maybe Bats is a Republican) even his entourage of bats follow the path to truth and justice as they all head in the same direction.  A direction in which Batman doles out his own version of justice that usually entails a severe beating before the evil doers are eventually left for the police.  (Hmmm, maybe that has a lot to do with it.)

Will we see more of Batman draped in the red, white and blue?  Probably not.  It's just not a theme he is normally associated with.  Justice,yes, but of a more darker grimmer kind.  I can't recall Batman or Bruce Wayne extolling the virtues of the American way or perhaps I've just missed it.  That doesn't seem likely as that would have stood out as the images published above.  I can accept that.  Maybe it is Batman's humility that lends itself to be less jingoistic.

As long as he gets the job done it's ok he doesn't wave the flag.  We know whose side he is on.










Sunday, July 28, 2013

Batman on the Edge of Despair

 Will Catwoman Pull Batman Back From the Abyss?



Peter Tomasi has reached the penultimate stage of the Kubler-Ross model exploring the five stages of grief.  The fourth of which to be examined here, depression.

Depression is a critical step in the grieving process in that if one does not successfully move on from this stage he or she may find themselves wallowing in it's abyss forever.

In my previous post that dealt with the bargaining phase,  I imagined this sequel to encompass something like a warm embrace from Catwoman to salve the damaged psych of the Batman. She would tell him the things he needed to hear and provide the loving touch his cold heart demanded.

It didn't exactly go that way.  Tomasi has different plans.

First, let's look at the analytical definition of "Depression" as included in the Kubler-Ross model. 

Depression - I'm so sad, why bother with anything?"; "I'm going to die soon so what's the point?"; "I miss my loved one, why go on?" During the fourth stage, the dying person begins to understand the certainty of death. Because of this, the individual may become silent, refuse visitors and spend much of the time crying and grieving. This process allows the dying person to disconnect from things of love and affection. It is not recommended to attempt to cheer up an individual who is in this stage. It is an important time for grieving that must be processed. Depression could be referred to as the dress rehearsal for the 'aftermath'. It is a kind of acceptance with emotional attachment. It's natural to feel sadness, regret, fear, and uncertainty when going through this stage. Feeling those emotions shows that the person has begun to accept the situation.

The above definition cannot be taken literally in Batman's caseHe is not the one that is dying nor is he near death.  Instead he is the bereaved.  His feelings mirror the "certainty of death", in other words, his son Damien will never come back.  The danger for Batman is the "disconnect".  Something, if not alleviated, will become so dire that he will push away everyone close to him and he will become the menace to society that Batgirl warned him of in the previous issue,  (Something that is going through the test phase with Carrie Kelly.)

I should've gotten wind of Tomasi's tact when the story opens and Catwoman is in the middle of a heist.  The object of her desire is a golden figurine, "Ram in a Thicket".  The allusion here is a story from the Old Testament where Abraham is about to sacrifice his son Isaac.  Abraham's deadly hand is stayed when he is distracted by a Ram stuck in a nearby thicket.  If I had put the pieces together here I would have realized that Batman was standing in for Abraham and he needed something to stay his own deadly hand before he did something rash.

Catwoman provides him with that distraction.


 Her solace comes none too soon.

In the above image Batman sits alone in the Batcave and he's replaying audio from a mission with Damien.  The signs of depression are clear.  The head is bowed and the eyes blackened with sorrow.  His posture is slumped in forlorn resignation.  In listening to his son's voice Batman seeks to recreate Damiens' presence.   It is a desperate venture and one that is hollow in nature.  Listening to the sound of his son's voice won't bring him back.  In fact it is a trap that forms a closed loop that keeps you perpetually in its grasp.



As I said, lucky for Batman, Catwoman is on the prowl.  I was a bit disappointed that Tomasi had Catwoman appear on the scene in the line of duty, not of her own volition.  The story opens with Catwoman receiving orders from Steve Trevor on behalf of the JLA.  So, Catwoman really is just using Batman to aid in her invasion of the Chinese embassy to recover a "valuable asset" not to directly aid Batman in overcoming his sorrow.

That's too bad.  Red Robin and Batgirl both actively sought out Batman, I thought Selina Kyle would do the same.  These two have been pretty close over the years and this would have been a great opportunity to bring them even closer and develop their relationship further.

I guess Tomasi had different thoughts.


At least we got this superb image from Patrick Gleason.  The above frame is worth the price of the comic alone.  With the villains easily subdued, Batman and Selina take to the sky in possession of their new charge, Jai-Li.

Batman shows a some heart here and gives the little girl a thrill ride for the ages.  I suppose Tomasi's plan was to have Batman figure out how to beat his funk on his own.  Batman sees a little girl lost and without her father so he substitutes himself and takes the opportunity to bring a family together.  His may be lost, so this feels good even if it's only for a few moments.

The above image speaks volumes in that regard.


It was a bit puzzling to see Carrie Kelley return for the final frames of the book.  She receives a fake message from Damien that Batman constructed in order to preserve the fiction that Damien is still alive.

This seems to go against moving beyond the hurdle of depression.  This moment signifies there is still a bit of denial going on.  For the comic book reality it makes sense but as far as Batman's psyche is concerned it seems like a step back.  Maybe Tomasi is just setting up the next storyline.

Speaking of which!  Nightwing returns to help Batman with the next step of the Kubler-Ross model, acceptance.   A perfect symmetry to end this journey, the original Robin.  So how does Carrie fit in?





Sunday, July 14, 2013

Bargaining With Batman

Batman's Sanity Hangs in the Balance.  Can Batgirl Save Him?


Peter J. Tomasi along with guest penciller, Cliff Richards, returns to his examination of Batman's grief in "Batman and Batgirl #21".  Tomasi has been using the Kubler-Ross model of the five stages of grief and this chapter's examination covers the "Bargaining" stage.

Here is the Wikipedia definition.

Bargaining"I'll do anything for a few more years."; "I will give my life savings if..."
The third stage involves the hope that the individual can somehow postpone or delay death. Usually, the negotiation for an extended life is made with a higher power in exchange for a reformed lifestyle. Psychologically, the individual is saying, "I understand I will die, but if I could just do something to buy more time..." People facing less serious trauma can bargain or seek to negotiate a compromise. For example "Can we still be friends?.." when facing a break-up. Bargaining rarely provides a sustainable solution, especially if it's a matter of life or death.

For this definition we are not speaking in the first person.  Or rather, I should say, Batman, is not speaking in the first person.  When the above definition says, "I will do anything for a few more years" Batman is really saying, "I will do anything for a few more years, if Damien were only alive".  

Batman, of course, is not dead here.  His son is dead and as we find everything in this chapter is post mortem.  

Tomasi has taken the interesting tact of handling this stage for Batman not through his eyes but through the eyes of Batgirl.  In fact, Batgirl, does a little Bargaining of her own.  

Batman has not asked for any help in coping with his grief (although he has shared some grief with Alfred) and here we find Batgirl trying to volunteer her help.  Naturally Batman rejects all her advances and pretty much spends the entire book ignoring her entreaties.  When they first meet in this issue, Batgirl can barely share two words with Batman before he storms off.  


This actually allows Batgirl to come to grips with a death in her own family.  Her brother died when she confronted him and he fell to his demise before she could grab him.  She blames herself and she takes this opportunity to make a confessional of sorts to her father, Commissioner Gordon.  She can't speak to him face to face, it would expose her identity, but it least she talks it out.  This alleviates her guilt to some degree and lightens the emotional load.  Too bad Batman doesn't afford himself the same luxury.


Batman makes his own effort at bargaining by confronting some two bit hoods that are attempting a robbery and holding some hostages.  The robbers decline his offer and make the mistake of going for the whole enchilada.  Classic mistake.

It's not clear what kind of bargain Batman is really trying to strike here.  Damien is already dead so he can't bargain for more time with him.  Are we to understand the bargain he really is trying to offer here is his own life?  Is Batman trying to sacrifice himself in order to join Damien in the afterlife in order to end his misery?

This would run counter to the aforementioned definition of "Bargaining".  It barely comes close to the part where there is a "sustainable solution".  If so, Batman would be dead.  He doesn't voice this but this would end Batman's career in crime fighting and his "raison d'etre" is to avenge the death of his parents and seek revenge for the innocent.  (Something he tangentially he refers to later in the Batcave.)  Deep down Batman realizes this and violently takes down the hoods.  

Batman doesn't bargain.  He can't even transcend the denial stage of grief.



Batgirl offers a unique solution to overcome Batman's grief and in doing so she allows herself a solution to overcome her own pain.


Batgirl offers to take the place of Robin which is a wonderful solution.  It would help exorcise her own demons and fill the role Batman so desperately needs, a sounding board to bounce his troubles off of.  I would have loved to see Barbara Gorden as the new Robin.  She can't get close to her own father as Batgirl but at least she would have had a father figure in Batman and he would have had the protege he needs to protect and nurture with the added benefit of not being so raw.

Batman declines this ingenious offer, telling her to go....




The fool.

Well, perhaps I should be a little more sympathetic.  Batman is deeply in the throes of pain.  The kind of pain that is of superhero proportion.  Maybe if talks his anguish out with someone he truly loves.  Someone he loves nearly as much as much as he loved Damien.  Perhaps then he could come to some sort of bargain and work through his depression.

I wonder who that could be?




Next up, Batman and Catwoman.


Tuesday, July 2, 2013

The Dark Knight Descends


The Iconic Batman: Art of the New 52 #10 



I found this unusual perspective of Batman in "Batman and Batgirl #21".  Batgirl has been chasing down some heroin pushing thugs down by the Gotham docks when Batman suddenly makes his appearance.  She had just been wondering where Batman has been, as she wants to talk to him about the loss of his son, Damien.

This particular issue deals with the third stage of the Kubler-Ross model of grieving which is known as "Bargaining".  I'm not going into the depths of this particular topic at this point (that will be for a later post).  Instead, I'd like to comment on this striking frame as contributed by guest penciller, Cliff Richards.

You can almost hear Batman's cape snap open as he launches himself into the fray.  This dynamic entrance is made all the more surreal by having Batman's disembodied head wreathed in the darkness of his gothic veneer.

There is no encumberment of arms and legs to distract the viewer, just the bizarre promontory of Batman's head reaching out from some blackened netherworld.  Batgirl's narrative box exclaims, "Speak of the devil".  This just adds to the spectral quality of this depiction as Batman seems like some holy terror reaching out to pull those into some hellish place where he only dares to tread.

Batman's athleticism is often characterized by the inclusion of overwrought musculature.  Something I am often critical of.  I'd rather see a more human Batman rather than someone whose physique is comperable to Superman's.  Batman is a part of this world not something that is alien or unreal.

That is why I find this rendering of Batman so fascinating.  The other-worldly musculature is gone as is the human aspect.  All we get is tendril like extensions from Batman's cape which makes him neither bat or human.  Instead we get a minimalist vengeful wraith that characterizes Batman's innermost quality.

A rare feat.

Peter J. Tomasi has been exploring  the depths of Batman's pain over losing his Robin in these issues of "Batman and Robin" each with a guest partner.  In this issue Tomasi has found an ideal collaborator in Richards as Richards seems to understand that the depth of Batman's anguish resides in his mind.  So it is fitting we see this mind detailed in his cowled visage as his heart breaking struggle continues.

I'm not sure if Tomasi had any input into Richards work, specifically this frame.  But it seems like a partnership worth pursuing in the future.








Sunday, May 12, 2013

Is Batman Angry? No, He's Raging!



Writer Peter J. Tomasi continues his exploration into Batman's despair by examining the next step of the Kubler-Ross model of grief, Anger.  Actually, as you open the cover to this mag the first page reveals that Batman is experiencing a higher resolution to anger, rage.


Before we move on let's take another look at the Kubler-Ross model and how anger is defined. 

Anger — "Why me? It's not fair!"; "How can this happen to me?"; '"Who is to blame?"
Once in the second stage, the individual recognizes that denial cannot continue. Because of anger, the person is very difficult to care for due to misplaced feelings of rage and envy. Anger can manifest itself in different ways. People can be angry with themselves, or with others, and especially those who are close to them. It is important to remain detached and nonjudgmental when dealing with a person experiencing anger from grief. 
(Definition courtesy of Wikipedia.)

In the issue of Batman and Robin #20 or better put, Batman and Red Hood #20, we once again get a guest appearance from Carrie Kelley.  I'm starting to believe that Kelley has been introduced as a touchstone for Batman.  Not someone to reflect each stage of grief off of, but instead to help measure each stage by enduring Batman's grief (with snappy comeback's) and be there when he's cleared the last hurdle.  Maybe she will be the next Robin.  I can see Batman reaching the final stage, Acceptance, and not only passing through that moment but accepting a new partner.  Someone that has withstood all his barbs, Carrie Kelley.


As an example, in the illustration above, Batman can barely contain his anger as illustrated by Gleason and Richards.  His jaw is clenched, a vein protrudes from his neck and his eyes are shaded a cavern black to accentuate the depth of his pain.  (So, good luck to you Carrie.)


For Tomasi , the real focal point for Batman's rage in this issue is going to be Jason Todd, also known as the Red Hood.  Tomasi has a unique use for Todd.  If I am reading him correctly, Tomasi is going to use Todd, not as a buddy and former partner to Batman and not someone he can share an adventure of revenge in, but for a  much more darker purpose.


As a canard, Tomasi does position the two former partners on a mission to Ethiopia to root out the assassins that targeted Damien, Batman's now dead son, and take them out.  Accomplishing this the two move on and Batman reveals to Todd his real reason for bringing him along.


Batman tells Jason that he wants him to relive that awful night where he died at the hands of the Joker. In doing so, Batman hopes this will jog Jason's memory and provide a key of sorts that will help Batman in his quest to bring Damien back from the dead much like Jason was resurrected.

I have no doubt this is partially true.  I think Batman is seeking to rid himself of guilt and sincerely looking for clues to bring Damien back but Jason is just a pawn in this pursuit.  There is a larger truth playing out here and this is where Tomasi reveals the real reason Jason Todd is along for the trip.  If Batman is to move beyond the second stage of grief he just doesn't want to come to grips with it, he wants it beaten out of him.


This is particularly brutal and I give credit to Tomasi for this device.  I had wondered in a previous blog post how someone like Batman, who is pretty much angry all the time, could deal with this stage.  As noted above Batman just isn't dealing with anger as a stage of grief, he has evolved it into a stage of rage.


At first Batman provokes Jason into hitting him.  From then on he gets his wish.  Todd doesn't like being used as a pawn so he is particularly viscous in his attack.  No doubt Batman counted on this also.  Batman feels he deserves this out of guilt for Todd and for Damien.  He even taunts Todd by weakly boasting he's, "Still standing".  Todd is smart of enough to know he is being used and grows weary of Batman's pathetic machinations.  Batman has done Todd a favor, whether Todd realizes it or not, and let Jason work through his own pain.  But I think Jason Todd and Tomasi know the rest is up to Batman and in order for him to move on the next step is up to the Caped Crusader.  They go their separate ways.

This issue is extremely well done.  I think Tomasi has given us a terrific look in to the stage of Anger for Batman.  Or Rage if I read it correctly by Tomasi.  Batman is special, he's always dealing with anger at some level and he uses it as a motivational tool.  It comes from the death of his parents as a child and he has donned the mantle of the Bat to work through that pain.  But what about the pain and grief of losing his son?

Only Rage will suffice and Batman needs it beaten out of him.  Kudos Peter J.Tomasi.


Next up: Bargaining



Monday, April 1, 2013

Batman & Robin 18: The 5 Stages of Grief


As promised in my last blog post I've decided to take a look at the bereavement period for Batman following the stunning events of Batman Incorporated #8 where the Damien Wayne Robin dies.  I feel this is a singular event in the annals of Batman comics because it provides us with an in depth look at one of DC comics most iconic heroes and how he handles a death so close to his heart.

Not just any death, like the death of an adopted Robin such as Jason Todd, but the death of Batman's biological son.  A young boy of ten whose issues and shortcomings were well known to all the readers and provided Batman with much angst. A Robin whose foibles made him all that much more human to us all and gave Batman a true son.

Peter Tomasi, who has authored the series of Batman and Robin comics, has stated that he will follow Batman in the Five Stages of Grief, as originally delineated by Elizabeth Kubler Ross and David Kessler, by examining each stage in the pages of the Batman and Robin issues starting with Batman  and Robin #19.  You can read that very informative article here.

I thought I might take a closer look this bereavement period and the 5 stages of grief and see how much they apply to a single issue, Batman and Robin #18.  Tomasi, with artist Pat Gleason has authored an extraordinary work of art and it is a must read for all fans of Batman. 

First of all let's tkae a look at the Five Stages of Grief.

  • Denial
  • Anger
  • Bargaining 
  • Depression
  • Acceptance

Denial:  "Denial is usually only a temporary defense for the individual. This feeling is generally replaced with heightened awareness of possessions and individuals that will be left behind after death. Denial can be conscious or unconscious refusal to accept facts, information, or the reality of the situation. Denial is a defense mechanism and some people can become locked in this stage."




In this wordless issue Batman first exhibits the signs of denial by the covering and disposal of the family portrait.  With grim visage Batman takes a last look at Damien before he drapes the face of Damien and carries off the portrait for storage.  Batman can't bear to look at Damien and the setting of Batman with his other Robins is too much to deal with.  Covering Damien's face is both a symbolic and literal act.  The drape acts as a death shroud adding a finality to Damiens passing but the storage of the painting dismisses this finality by keeping this act temporary.  For Batman it's better to remove the obvious reminders of Damien so he doesn't have to deal with pain of his passing.

Anger"Once in the second stage, the individual recognizes that denial cannot continue. Because of anger, the person is very difficult to care for due to misplaced feelings of rage and envy. Anger can manifest itself in different ways. People can be angry with themselves, or with others, and especially those who are close to them. It is important to remain detached and nonjudgmental when dealing with a person experiencing anger from grief."


No doubt it would be difficult to remain "detached and nonjudgmental" in a world populated by Batman.  The Caped Crusader goes into an utter rage over the loss of Robin and at the end of the issue he lashes out at the loss of Damien by smashing the his locker and tossing the lifeless garments across the floor.



 Batman exhibits the classic signs of anger when he vents his pain at the empty accoutrements.  How Could Robin leave him?  Why isn't he here and by his side?

Bargaining :  The third stage involves the hope that the individual can somehow postpone or delay death. Usually, the negotiation for an extended life is made with a higher power in exchange for a reformed lifestyle. Psychologically, the individual is saying, "I understand I will die, but if I could just do something to buy more time..." People facing less serious trauma can bargain or seek to negotiate a compromise. For example "Can we still be friends?.." when facing a break-up. Bargaining rarely provides a sustainable solution, especially if it's a matter of life or death. Not much noted, but common, bargaining can also include guilt, including survivors guilt.



How does someone bargain with the death of a loved one after they have passed?  By rewinding the memories of that loved one over and over.  That way, the person that still lives, in this case Batman, can handle their survivors guilt by imagining that their loved one is still with them. 


The series of panels that depict Batman descending to the Batcave  is most poignant in this regard.  Riding the Batpoles is something Batman has done a thousand times and with Damien hundred and hundreds of times.  It may have been something that he took for granted in the past but now it is a cherished memory.  The sheer repetition of events keeps Damien alive to Bruce, only the thud of the end of the descent brings Batman back to the reality of Damien's absence.  Better to live the bargain of better memories than deal with the void left by death.

Depression: During the fourth stage, the dying person begins to understand the certainty of death. Because of this, the individual may become silent, refuse visitors and spend much of the time crying and grieving. This process allows the dying person to disconnect from things of love and affection. It is not recommended to attempt to cheer up an individual who is in this stage. It is an important time for grieving that must be processed. Depression could be referred to as the dress rehearsal for the 'aftermath'. It is a kind of acceptance with emotional attachment. It's natural to feel sadness, regret, fear, and uncertainty when going through this stage. Feeling those emotions shows that the person has begun to accept the situation.


Does Batman get depressed?  Heck, isn't he always depressed? Batman carries the weight of his parent's loss heavily on his shoulders.  Instead of being consumed by it, he uses that sorrow as a point of strength.  Instead of turning inward he lashes outward, especially against those who would do harm against the innocent.

Things could be different this time.  This is one of the aspects of grief I hope Tomasi and Gleason really get to explore.  In the above illustration, Batman returns to the Cave to wash away the stains of a grim night.  In a way this could be seen as a form of denial.  Letting the pain roll off you without having to deal with it.  I see this image differently however.  Batman's head is bowed, his shoulder slumped in sad resignation.  The picture is mostly in black and white as if to accent the starkness of Batman's plight.  Only the red of blood marks Batman.  The pain and loss that infuses that blood is a lot more difficult to wash away.

Acceptance:   "In this last stage, individuals begin to come to terms with their mortality, or that of a loved one, or other tragic event. This stage varies according to the person's situation. People dying can enter this stage a long time before the people they leave behind, who must pass through their own individual stages of dealing with the grief."



Peter Tomasi and Pat Gleason end their wordless masterwork with an image of Batman clutching the empty garments of the now dead Robin.  Bruce had strewn the accoutrements of Damien in a fit of rage but he now mournfully embraces them.  See how his anguished face presses up against the shoulder of the uniform as if Damien was still within.  His left hand holds out the mask of Robin as if waiting for him to fill it again.  By purposely showing us this, Gleason demonstrates the nature of Robins life. The duality of being a ten year old and the guise of being a crime fighter and the heavy responsibility it carries.  Displaying the mask adds emotional heft to an already grief stricken tableau.

We also see Damien's Batarangs buried into the surface of the floor.  Even after death they find their mark with purpose.  To the left lie the empty gauntlets that can no longer throw a punch with anger.  To the right stand the empty boots that will no longer trod the face of this earth with Damien in them.  Very large shoes to fill indeed.

Damien's Robin badge sits detached near Batman's legs as if has been stripped of ownership now that Robin has passed.  It now waits for someone else to fill that role.  Someone deserving.

The most poignant thing about this image is how Bruce has dropped to his knees to embrace the now empty uniform.  How else would you lovingly hold your child? 

I eagerly await Batman and "Robin" number 19.  Tomasi has said he plans to explore the five stages of grief in each successive issue.  What I attempted to do here was divine his approach to that series and suss out the clues in a single issue.  I think Tomasi and Gleason have just scratched the surface of the depth of their storytelling.  There is fertile ground ahead.  Hallowed ground where one one soldier gave his last measure of devotion.






(Each "Stage of Grief" comes courtesy of Wikipedia.)

Sunday, March 10, 2013

Batman and Robin #17: The PTSD Issue. Updated!


Issue number 17 of Batman and Robin, written by Peter J. Tomasi, gives us a unique insight into the psyche of the Caped Crusader his sidekick Robin and his trusty man servant Alfred.  The issue is entitled "Nightmare City" and it is not just a look at the immediate aftermath of a night's work for the dynamic duo but an examination of the trauma caused by that night's work and more importantly the toll taken by Batman's victory over the Joker from the "Death of the Family" series.

The events of this issue happen just before the events of Batman Incorporated #8 where the Damien Wayne Robin dies.  My look at the ramifications and import of this issue comes a little out of order with the death of Robin but this particular issue sheds significant light on the mindset of Batman and his team just before the entire Batman universe is turned upside down by Damien's death.

As I said before, Tomasi entitles this issue, "Nightmare City" he could really called it the "Post Traumatic Stress Disorder" issue as that is what it specifically deals with.  This issue not only comes at time of deep turmoil within the Batman family but it holds up a mirror to our society in general as the men and women of our armed forces are returning home from war.

Here's how the U.S. National Library of Medicine defines PTSD, "PTSD is a potentially debilitating anxiety disorder triggered by exposure to a traumatic experience such as an interpersonal event like physical or sexual assault, exposure to disaster or accidents, combat or witnessing a traumatic event. There are three main clusters of symptoms: firstly, those related to re‐experiencing the event; secondly, those related to avoidance and arousal; and thirdly, the distress and impairment caused by the first two symptom clusters."

Tomasi and his artists, Gleason, Gray and Kalisz, give the Batman readership a valuable lesson in what our fighting men and women are coping with as they return home not to mention the thousand of ordinary citizens that are inflicted with this painful disorder.

Before I get into the real life issues that PTSD represent let's take a look at Tomasi's version as depicted in the of a Batman comic.



Batman and Robin return to the Batcave after a long night of patrol.  Their routine takes them through their normal "winding down" period where they are greeted by Alfred, fed and strip themselves of the crime fighting persona's in the form of their costumes.


 Our three principles head off to a night's sleep employing a simple strategy to calm the nerves of the day.  Batman by looking at a bedside picture to remind him of his life's motivation (no doubt a picture of his family), Alfred with a cup of tea and Damien some music as a boy of his age is want to do. 


Damien's dream state immediately takes him to place where he is seemingly safe aboard a submarine while the turmoil of the forbidding ocean roils just outside replete with images of those both loved and hated.  He meets with a mirror image of his self wherein he struggles to work out the duality of his life and it often threatens to tear him apart.



His subconscious reverie is rudely interrupted when the image of a drowning Alfred swirls before him.  Why Alfred and not his Father? Alfred represents a rock of stability to Damien.  Someone to come home to and provide him with the nurture and safety his young mind sorely needs.  To see this endangered beyond Robin's reach is the trauma his conscious mind can't hope to deal with.  His father on the other hand represents everything that is wrong with Damien's world as we'll see in the next panel.


Damien's mind releases him from the shock seeing Alfred in danger but sends him to the other pole of his broken psyche where his father's influence dwells.  Here Damien is faced with the brutal image of his father being fed off of the inspiration that had led him on the path of darkness and revenge.  A giant horrific bat embodies this trauma, the very thing that led Batman down the path of crime fighting also threatens to suck all that is good out of him and with him Damien also.  Again, another duality that threatens to divide Damien into pieces.


As for Alfred, his nightmare includes him looking from a helpless distance as the Joker destroys the family he has charged himself with protecting from their own worst fears as he provides them with a sounding board to release their inner demons, provide them with sustenance and balm the wounds both internal and external.  To be apart from this family is Alfred's worst fear.


Unlike Damien, Alfred's subconscious provides him with an outlet that resolves his internal conflict with the neat and tidy solution of blowing the Joker's head off.


Despite the obvious pain this act causes Alfred, enough to wake him up and reflect on his subconscious actions, this resolution actually calms Alfred's tattered psyche and he is at peace with his mind's solution as evidenced by the slight smile as he drifts off to a now peaceful sleep.


Batman's internal struggles takes him to familiar territory.  That of the loss of his parents as a young boy.  His dead parents still speak to him and his life is represented by the fragility of a paper boat.


It's not long before that fragility is tested and Batman finds the two things that tethered him to his innocent past are pulled away from him and he is helpless to see them disappear into his life's work personified by the Bat symbol.


The only thing that tethers Batman to his sanity is the thought of his son, his biological son, reaching out to him and tangibly representing the family that he now knows, loves and embraces.


While Batman has set his life work on avenging the loss of his parents and dedicating his future to the salvation of others, his true salvation comes in the form of Damien.   Now Batman takes the role of parent helping him heal the psychological trauma of losing his own parents and being there for Damien.  Bruce can come to terms with his internal struggle by balancing his work with that of fatherhood.  While this doesn't exactly solve Damiens problems, it does help Bruce by giving him someone to share his problems with and while Batman/Bruce is aware he's putting Damien in harms way it is better than going it alone and falling into the abyss that is comfortless isolation.


Our story ends in a dream.  Bruce and Damien, Batman and Robin, sit atop their Gothic mansion together in their shared state of anxiety.  Even though it isn't real this subconscious realm provides safe harbor for father and son because is something that they pursue together in the real world.  Despite the obvious dangers of their vocation they are not alone as long as they have each other to lean on.  This doesn't solve their inner turmoil but at least it keeps them going to face the dawn of another day.

This is made all the more distressing by the events of Batman Incorporated 8 and the loss of Damien.



To turn the page from fiction to reality we get the stark reality of Chris Kyle and his shocking death.  Kyle, the so called, "Devil of Ramadi" was a veteran of the Iraq war and dedicated his life to helping those that returned from armed conflict.  Sadly and ironically he died at the hands of a fellow veteran he had sought to help through what the thought was the healing force of handling a gun and the power of wielding one peacefully.  Unfortunately, this didn't extend to his last subject as his weapon was turned against Kyle ending his life.  Please read this excellent story by Time magazine into this tragic tale.

We can all help our brothers, sisters, fathers and mothers as they return from war such as giving to efforts as PTSD Survivors of America and Pets for Vets

*Update*
Here are two more charitable groups that deserve our support the first of which is Team Rubicon that does so much to rebuild area hit so hard by natural disasters.  The second is Team Red, White and Blue where group therapy provides the boost our returning veterans need.

As fans of Batman we owe a debt of gratitude to DC Comics and the creative team of Peter Tomasi and company for exposing the dangers of PTSD.  If you know of someone that needs help reach out to them immediately and start them on the road to recovery.

Be a real life hero.  It's what Batman would do.