Batman #46

Who are you Mr. Bloom?

Well, that's revealing.

How many iterations of Batman have you known Mr. Bloom? 

In Batman #44 Bloom was ret-conned into the series by Scott Snyder in a move that I initially dismissive of.  (Batman #44.)

Now, I am not so sure.  The above statement tells us at least Bloom is aware of others that have donned the cape and cowl in Bruce Wayne's absence.  Something even Commisioner Gordon only mused at when Dick Grayson took over for a spell.  (Gordon thought he seemed smaller and "happier.")

True, this is a post"Flashpoint," "New 52" and "Convergence" story line so Snyder can do anything he wants with the Bloom background.  But, despite all the changes to DC, there is always some commonality that preserves the major moments in DC mythology and particularly Batman mythos.

Who are you Mr. Bloom?  

In my review of Batman #43 I was sure Bloom was some sort of weird organic reincarnation of The Joker.  Maybe he is still and Scott Snyder has the most bizarre and twisted conclusion to this arc we have ever experienced.  

If not, who is this being that has such intimate knowledge of Batman?  Alfred?  One of the Robins? A long lost girlfriend seemingly dead and mysteriously resurrected?  I know it strains credulity but this is the comics so if we are going to go there let's go there all the way.

(Hmm, Bloom is kind of thin maybe it is Elastic man.  Nah, even I'm not that crazy.)

Want some evidence Bloom is someone we know?

Duke from the "We Are Robin" comic has infiltrated the Penguins new Iceberg Lounge and despite Daryl's warnings to steer clear of all things Bloom, he has stumbled across something anyway.

"But it doesn't make sense."  "None."  "Bloom can't be...."

Of course Duke's revelation is interrupted by the Penguin himself.  We don't want to learn too much do we Mr. Snyder!

Speaking of Snyder here is what he said about Bloom in a recent interview with Newsarama,  "Bloom, literally and figuratively, is the thing that kind of comes up in those cracks that happen between all of those things that are supposed to be sewn together by the city." 

You mean like a weed Scott?  (For the whole interview go here.)  This statement doesn't exactly point to someone we already know in the Batman mythos but it could just be Snyder keeping his cards close to the vest.  (Joker card?)

So, readers of Batman #46 may have noticed I skipped a little ahead here.  Let's catch where Batman #45 left off.

Bloom had captured a Bat Blimp and set it against the movers and shakers of Gotham.  He picks off the fundraisers one by one and  taunts Geri and Commissioner Sawyer.  The Gordon Batman comes out of hiding and nearly manages to capture Bloom in clever fashion.  Equally, Bloom counters Batman's moves and makes his escape.

All a bit campy and a little too predictable.  But it does move us along to what the real Batman is doing which is...


Shower Time!

Yep, the currently oblivious Bruce is enjoying a nice morning shower.  It is "the morning after" and instead of looking deeply into his own mind, Bruce wants to know what is going on with Jules.

This post pillow talk does have some significance in that in provide an ever so subtle crack into the mind of Batman and his history.

To wit.

While Bruce is by and large totally unaware of his former alter ego as Batman, he does know that Jules' father had a sordid past and he is not beyond putting the pieces together.  Despite her father being the man that sold the gun to the man who murdered his parents he blithely wants to carry on and marry Jules.

Woof!  Things that are said in the shower!  Bruce is so far removed from the most pivotal moment in his life he nonchalantly pops the question and fits in a little naughty time.  (BTW, a hint was dropped by Jules that something is going on with her, probably something physical.  Cue future heartbreak.)


Oh Gotham, why?

Fortunately we have the hubris of an arrogant city to distract us.

Despite being easily menaced by Bloom earlier in our story Gotham continues on its path of self delusion.  Geri shows Gordon her army of Bat robots that she is utterly convinced will protect Gotham.  This from a city that once considered Batman a pariah.  Now they are telling themselves they have the better solution and are using the symbol of the Bat as their shield.

 Sheer hubris dear readers.  Sheer hubris.

Snyder has positioned Bruce Wayne as a small picture man that can't see what role he plays in Gotham.  Alternately, Gotham has been positioned by Snyder as a city that is seduced by the big picture that can't see the small picture.  

The devil is in the details Gothamites.


Wake Up Call

 

The only man on the planet with a grip of what is going on is Gordon.  In true Batman fashion he wants to go it alone.  He correctly assumes an army of Bat battle-bots would only lead to a large scale disaster.

 The man that should truly be on the ball is Bruce Wayne and he is still playing catch up.  His wake up call comes in the form of a child's drawing.   The urgency of the situation is starting to dawn on him (Bat-sense tingling?) and he realizes he can no longer find that seed Bloom left behind.  

Here we have another tie in to the children of Gotham.  Snyder seems to be focusing on Wayne's forgotten childhood and future of Gotham's kids.   If they have a future that is.

 
Gotham used to be a thriving community with the emphasis on "community."  Where once was charity and a populace that took care of its own, now stands arrogance that has created a divide where a path (Blossom Row) once brought people together.  Through that crack evil blooms.  (See what I did there?)

Bloom has proved to be formidable foe.  As our story closes "Bat-Gordo" is in the grip of his machine "Rookie."  One can assume the rest of the Bat Battle Bots will soon be in service to Bloom.

Better hurry up and snap out of it Wayne!


Okay.  Who is up for a little spoiler?

You're going to have to scroll way down.






Lower.







A little lower.  








Last spoiler warning!






Want to see what Bruce Wayne looks like when he finally realizes he's Batman?


Here it is..

The horror.

Yanick Paquette will be sitting in as illustrator for Batman#49 as Greg Capullo will be taking a break.  (Capullo will illustrate Batman#50.)  

I love Paquette's take on "German Expressionism" especially in the style of F. W. Murnau.  Wayne seems to be reacting as if he is in the thrall of some demonic presence.

I certainly hope so! 


See you back here for Batman #47.   Bat Battle Bots anyone?







 

Batman #44 and #45

I'm doing a little double duty with this review.  Since I am late with Batman #44, I thought I might throw in a review of Batman #45 while I am at it.

Batman #44

I do my best to avoid reviews of comics that I am also reviewing lest they prejudice my own opinions.  That being said, sometimes it hard to avoid the digital leviathan that is the internet.

I had read that issue #44 of Batman was a rewind of sorts that take a break from the lost Bruce Wayne and Mr. Bloom story line.

That's fine, I'm sure Snyder and DC want to prolong this particular script as Wayne adopts his new life outside the cowl and pursue the fate of Gotham as the Gordon Batman struggles to keep the city in one piece.

In doing so we make a brief return to the Bruce Wayne Batman as he gets embroiled in street level crime that leads him down a darker and larger path.

A good portion of the story involve the fate of one Peter Duggio.

Duggio is just a kid trying to make it right on the streets of Gotham that even that city has forgotten.  That, my friends, is as about as low as even Gotham can go.

 
The internet was quick to point out the topical nature of a portion of this story and how it deals with "Black Lives Matter."  Indeed, kudos should go out to Scott Snyder for including something so relevant that it sadly appears on almost a daily basis.

Unfortunately, we live in a society where violence is the first option  and the police feel so besieged that they reflexively turn to the gun.  It is left to the bereaved, media and the courts to sort things out.

Frankly, it is a sad epidemic mess.

Where Snyder goes wrong is his introduction of Mr. Bloom into the story.

 As Snyder would have it, Bloom already exists in the Batman universe.  He is not the Joker reincarnated (as I had predicted) but someone trying to make a name for himself as a low life peddler  of some bizarre addictive chemical concoction.

This isn't strictly a ret-con but more a reverse introduction of a character that has always been in the Batman universe.  It's just that we the readers never knew of him.

Sorry, but I find this annoying.  I'd prefer Batman's world be expanded as we grow to know him and as time progresses.  Not as part of a rewind.  It just seems less inventive to me to insert parts to a mythology that we are already steeped in just to find out we don't know as much as we thought.

Our story takes a freakish turn when the afflicted Peter, in his zeal to escape the mean streets of Gotham, grows Bat-wings (ironic symbolism?) and finds himself nearly vaulted outside the city limits.

I thought it ludicrous.

Yes, I get it.  He wanted to fly and he nearly made out of the hell that Gotham was to him.

But Bat-wings?  That's a bit too on the nose.

Surely Snyder is showing us the new menace that is Mr. Bloom's concoction but the "re-invention timeline" and the wings threw me for a loop.

In the end Batman learned a hard lesson.  He used this experience to connect with the forgotten youth of Gotham and it drew a through line between what happened here and the amnesiac Bruce Wayne working at the home for disadvantageous youth we saw in Batman #43.  And, yes, that through line connect it all to Mr. Bloom.

But, really, bat-wings?


Batman #45

As we continue our journey into the rediscovery of Batman I get the impression Scott Snyder wants us to see Batman as something elemental, something born of youth.  

Of course, the foundation of what was to become Batman started with Bruce Wayne as a youth and the murder of his parents.  But I think Snyder wants to change the perspective on this old tale and see Batman through a new lens.

Bruce Wayne is an adult now with his slate wiped clean.  Yet he is constantly surrounded by youth and one could say he has a naivete unfettered by his tragic past.  

It's as if Snyder wants to see what Batman would be like without his youth yet have the mantle of Batman forced upon him.

That should be interesting.

Our story returns to the present with the Jim Gordon Batman battling for his life.  He is nearly consumed by flames and the message seems to be Batman is, or can be, forged by the elemental nature of fire or at least the flames of combat.

While Gordon is adept at getting himself in and out of trouble it is the remotely controlled empty suit that comes to his rescue.  Here Snyder may be saying the new Batman may be as much suit as the man inside it.  (See my examination of the mind of Batman and his costume at the link.)

Gordon narrowly escapes death with the help of Daryl and our tale reverts back to Bruce Wayne.

Has Batman become a dinosaur?    A thing of the distant past?  Extinct?  The amnesiac Bruce Wayne ponders the past he knows little of.   Again, Snyder positions Wayne as someone looking at himself from the outside instead of within.

He knows nothing of Batman but he is aware of attack on Gotham by the Joker and the detritus left behind.  Wayne looks upon the artifacts as curiosities and is at first dismissive of them.

What were once trophies are now some much garbage.  Relics of a bygone era with little meaning aside from their obvious extinct nature.

However, the reach of evil is never too far away in Gotham.  

As Wayne ponders the meaning of his existence his stand-in, Jim Gordon, is getting a rude lesson into the elemental nature of what it is to be Batman.

Quite literally.

The movers and shakers pf Gotham know their city is in constant danger but sadly can't see the forest for the trees.

In their quest to find the ultimate protector for Gotham they've broken down what it is to be Batman to the minutest detail. 

They are so convinced of their findings they can't see that Batman is much greater than the some of his parts even at the atomic level they have distilled him down to.

As a counterpoint, Wayne believes Gotham can be saved by serving its youth.

He's taken the remnants of the battlefield and turned them into object of amusement.  Why dwell on the past and be consumed by it when you can transform it into something much more benign and less threatening?

Because, as I said, evil is never that far away in Gotham.

As Gotham congratulates itself in it's reinvention of Batman, Mr. Bloom makes his grand and murderous entry.

Gotham is fortunate Gordon has a much better understanding of what it is to be Batman than the arrogant city he serves.

Batman is not just an empty suit.  Nor is he something that can be reinvented by by people on the outside trying to look in.  

Snyder's lens wants to discover Batman in a new way.  There is something elemental about Batman.  But it is organic, something found within, not recreated from without.  

Wayne will have to discover what it is to be Batman again and he'll have to do it without the benefit of his youth.  Instead, he'll have to see it through the eyes of the children he's surrounded himself with.  Snyder's exploration into what it is to be Batman is an interesting tact.  


Batman #46 should be very compelling indeed.

Bargaining With Batman

Batman's Sanity Hangs in the Balance.  Can Batgirl Save Him?

Peter J. Tomasi along with guest penciller, Cliff Richards, returns to his examination of Batman's grief in "Batman and Batgirl #21".  Tomasi has been using the Kubler-Ross model of the five stages of grief and this chapter's examination covers the "Bargaining" stage.

Here is the Wikipedia definition.

Bargaining — "I'll do anything for a few more years."; "I will give my life savings if..."
The third stage involves the hope that the individual can somehow postpone or delay death. Usually, the negotiation for an extended life is made with a higher power in exchange for a reformed lifestyle. Psychologically, the individual is saying, "I understand I will die, but if I could just do something to buy more time..." People facing less serious trauma can bargain or seek to negotiate a compromise. For example "Can we still be friends?.." when facing a break-up. Bargaining rarely provides a sustainable solution, especially if it's a matter of life or death.

For this definition we are not speaking in the first person.  Or rather, I should say, Batman, is not speaking in the first person.  When the above definition says, "I will do anything for a few more years" Batman is really saying, "I will do anything for a few more years, if Damien were only alive".  

Batman, of course, is not dead here.  His son is dead and as we find everything in this chapter is post mortem.  

Tomasi has taken the interesting tact of handling this stage for Batman not through his eyes but through the eyes of Batgirl.  In fact, Batgirl, does a little Bargaining of her own.  

Batman has not asked for any help in coping with his grief (although he has shared some grief with Alfred) and here we find Batgirl trying to volunteer her help.  Naturally Batman rejects all her advances and pretty much spends the entire book ignoring her entreaties.  When they first meet in this issue, Batgirl can barely share two words with Batman before he storms off.  

This actually allows Batgirl to come to grips with a death in her own family.  Her brother died when she confronted him and he fell to his demise before she could grab him.  She blames herself and she takes this opportunity to make a confessional of sorts to her father, Commissioner Gordon.  She can't speak to him face to face, it would expose her identity, but it least she talks it out.  This alleviates her guilt to some degree and lightens the emotional load.  Too bad Batman doesn't afford himself the same luxury.

Batman makes his own effort at bargaining by confronting some two bit hoods that are attempting a robbery and holding some hostages.  The robbers decline his offer and make the mistake of going for the whole enchilada.  Classic mistake.

It's not clear what kind of bargain Batman is really trying to strike here.  Damien is already dead so he can't bargain for more time with him.  Are we to understand the bargain he really is trying to offer here is his own life?  Is Batman trying to sacrifice himself in order to join Damien in the afterlife in order to end his misery?

This would run counter to the aforementioned definition of "Bargaining".  It barely comes close to the part where there is a "sustainable solution".  If so, Batman would be dead.  He doesn't voice this but this would end Batman's career in crime fighting and his "raison d'etre" is to avenge the death of his parents and seek revenge for the innocent.  (Something he tangentially he refers to later in the Batcave.)  Deep down Batman realizes this and violently takes down the hoods.  

Batman doesn't bargain.  He can't even transcend the denial stage of grief.

Batgirl offers a unique solution to overcome Batman's grief and in doing so she allows herself a solution to overcome her own pain.

Batgirl offers to take the place of Robin which is a wonderful solution.  It would help exorcise her own demons and fill the role Batman so desperately needs, a sounding board to bounce his troubles off of.  I would have loved to see Barbara Gorden as the new Robin.  She can't get close to her own father as Batgirl but at least she would have had a father figure in Batman and he would have had the protege he needs to protect and nurture with the added benefit of not being so raw.

Batman declines this ingenious offer, telling her to go....

The fool.

Well, perhaps I should be a little more sympathetic.  Batman is deeply in the throes of pain.  The kind of pain that is of superhero proportion.  Maybe if talks his anguish out with someone he truly loves.  Someone he loves nearly as much as much as he loved Damien.  Perhaps then he could come to some sort of bargain and work through his depression.

I wonder who that could be?

Next up, Batman and Catwoman.